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Suzhou, a city to the south of the lower reaches
of the Yangtze River, enjoys a worldwide reputation for its delicate
and classical gardens. Most of the gardens were built for private
use by aristocrats and rich businessmen and date back to the sixth
Century BC. Garden design went through an active period during the
Ming Dynasty (1368-1644). By the time of the latter years of the
Qing Dynasty (1644-1911), a large number of classical gardens were
spread across Suzhou as well as its suburbs. Ten of these gardens
are still in a good state of preservation, including the Humble
Administrator's Garden (Zhuozheng Garden) , the Lingering
Garden (Liu Garden) , the Garden of the Master of the Nets (Wangshi
Garden), the Villa with Embracing Beauty (Huanxiu Mountain Villa),
the Blue Wave
Pavilion (Canglang Pavilion) , the Lion
Grove Garden (Shizilin), the Garden of Pleasance (Yi Garden),
the Couple's Garden Retreat (Ou Garden) and others. The first four
of these exhibit a typical character of classical gardens such as
structure, style, cultural attainment, aesthetics and arrangement
of the furniture. For this reason they have been included in UNESCO's
World Heritage List since the end of 1997.
In general, the gardens are comprised of two parts
- a residential section and a garden. In order to replicate a natural
environment on a miniature scale but to be full of life, pavilions,
ponds, bridges, rockeries, stones and fragrant flowers are added
to the gardens. The artistic layout is combined perfectly with Chinese
philosophy and ideology to exhibit an architectural culture of the
Orient. In a small plot each component is designed delicately and
arranged orderly by the accomplished gardeners to show their creativity.
Lyric pictures and poems are reflected in the themes of the gardens
to evoke mountains and natural springs requiring the visitor only
to observe the seasonal change of plants and water. Strolling in
the garden, visitors experience an elegant cultural aura which has
almost disappeared from modern life. Steles and parallel couplets
of halls or names of rooms sometimes show the masters' aspirations,
interests, and ideals or followings of Buddhist, Taoist and Confucian
thoughts or philosophy. Using unique skills combining architecture
with the surrounding scenery, artisans created gardens that are
tranquil havens away from the world's turmoil. Very often tourists
think they have reached the last building of a garden, only to discover
another harmonious landscape when they pass through the room and
along a zigzag corridor. Each door and window of the rooms is decorated
with carvings. Looking through the incised window of a garden, a
lush green waterscape unfolds itself before your eyes while a babbling
stream mirrors singing birds on a stone bridge. When a pavement
winds along mountain ridges, visitors will see a different view.
In the living rooms, the rosewood furniture is simple but very elegant.
Valuable works of calligraphy and paintings are displayed. Residential
rooms are usually decorated with Suzhou-styled bonsais and parallel
couplets. The classical gardens, as assemblies of residences and
gardens, demonstrate the living habits and etiquette of ancient
Chinese peoples of the lower reaches of the Yangtze River.
Classical gardens of Suzhou are the cultural and
the artistic essence of folk architecture in China. This can only
be appreciated by visiting them, and thus to understand why Suzhou
is called 'Paradise on Earth'.
Classical gardens of Suzhou:
Humble Administrator's Garden (Zhuozheng Garden)
Lingering Garden (Liu Garden)
Blue Wave Pavilion (Canglang Pavilion)
Lion Grove Garden (Shizilin)
Garden
of the Master of the Nets |